Fuedal Japan

Final Draft I.S.P In the sassy The 47 Ronin by tail end Allyn, and in the charter The Seven Samurai order by Akira Kosagowa. The security guard of two(prenominal) corporation ensure at least two similarities and differences in the impact of un wish well social set on the major shells in the unexampled/ get. In this case, both the put d bear and novel stack with the samurais figure of revere. In this code of keep, a samurai is expected to die an venerate adequate to(p) wipe break through and through, be loyal to their seduce and al sorts be expected to hardihood uncertain fitted adversities, in short, to build courageousness. Though the important character(s) in both novel and play ar Ronins, which describes them placid follow they mood of the samurais code of discover, it soon functions app bent that they decide to go against their code of honor by ignoring their code and do what they believe is the regenerate involvement to do. Primarily the newspaper of how honor and loyalty prevails to a higher(prenominal) mail all can be seen in both the novel and enter. For instance, in the novel, the first representative of engagementing societal appraises can be seen when the main character Oishi, decides to retaliate his masters death by swearing to kill the homosexual held responsible. This act of revenge is stringently prohibited under the Shoguns rule, unless Oishi is volition to face the consequences in transport to glorify his masters death. Fortunately, Oishi is not al mavin; along side of meat with him argon his fellow clansmen who be similarly instinctive to pledge such a sacrifice in order to revenge their masters death. some other factor, which makes this situation conflict with their societal determine, is because their assort clans take chances that they give lose face if such an upshot were to happen. On page 67, Oishi says, We may live, we may die, and in the end, our master go digr ession be glorified. Here we see how the t! heme of loyalty and honor come into play. The paraphrase shows how even though in that respect atomic number 18 many reasons as to why they should not go through with this externalise; they feel that loyalty to their master is much much important. withal, in the b extreme, the main characters are leased by sodbusters to scrap against an arm of bandits that had recently raided their village by taking their crops and women. The fritter shows the societal judge of the vii samurais willing to fight for mountain that they dont even know for a subtile reward of trey meals. The conflict shown here is that even though being ronins (master less samurais) the seven samurai shouldnt strike such a challenge mainly because it is vogue below their standards as samurais, moreover more(prenominal) importantly because samurais crab for a much higher rank than a sodbuster, there for go being a samurai, functional for a farmer would be considered ridiculous. An example of this is seen while the farmers try to recruit the samurais to fight. 1 samurai replys I might be pore, entirely Im not straighta expressive style to beg yet and kicks the farmer down. This quote shows how as a samurai, even being poor, working for a farmer is the last resort. The seven samurai that did end up accepting the challenge are the ones who are really conflicting with their societal values because they did accept the offer and go against their honor. Although it seems that the lead and novel seduce a lot in commonality on the bob up, it is more important to note that underneath the surface there are conflicting ideas that are in both the novel and film which deal with the fact that they both halt their main characters brea occasion surface against their masters death and going against the Shogun, or exclusively if helping the needinessy farmers in their desperate age of need even though it is considered the last(a) of all lows to help farmers at the ranking o f a samurai.         Another example o! f how the novel and film show the conflicting values in the ways of the samurais are shows in the form of humor. In the novel, the main character Oishi tries to wile the spies whom pass water been following him since the day of his masters death into thinking that he is routinely going into teahouses and getting drunk. As a samurai, one is to never hard liquor too much and make himself ask like a fool. Oishi does this intentionally to trick his spies into thinking that he is no monthlong a curse. Fortunately for Oishi, he gets himself into a fight and messes nearly with another samurai. By doing this, he is sure that his spies are self-confident that he is no longer beat a threat to the man who Oishi has sworn he would kill. On page 108, Oishi tells himself If it werent for those retched spies, I would exhaust killed that man instantly, but it couldnt leave come at a better time. This quote shows how Oishi has done what he did in order to preserve his cast on reveng ing his masters death. If he werent under such circumstances, he would wee-wee slain the man with his sharp blade. In the film however, the main characters conflicts his societal values in a different manner. kind of of acting like a drunken fool, this main character acts ridiculous in the attempts of acting brave. During the battle in the villagers town, the samurais become advised of the enemies gun. The absurd samurai acts upon his own merits after being told to no moderate his station and kill the man with the gun because it wasnt worth the risk but he believes that he must do this and decides to take out on of the gunmen himself by sneaking up on him. Although his evasive action was real smart, and did find the gun, he finds out later that it was very ill-judged of him to have left his post. The confrontation ended up entering the base from his entrance, which wouldnt have happened if he had just stood his post. The lot of the samurais thence tells him that he was stupid to have left his post. whence the drawing! card raised the question to the derisory samurai what if you died??¦Did you think of that? The foolish samurai then replies If I did¦then it would have been in honor. He is quickly interrupted by the leader who then says, There is NO honor in dying in an act of foolishness. Its cowardly!. The foolish samurai realizes his unwiseness but in like manner acknowledges the fact that his stunt was worth the risk, because he did take out on of the gunmen. The importance of this scene shows how the foolish samurai even though knowing the consequences still refractory to retrieve the gun. In both cases of the novel and film, the two main characters knew what they were doing was untimely, but still decided to go through with it because they believed that it was the right thing to have been done, aside from knowing their code of honor. Whether it was just acting drunk and making a fool of himself or difficult to retrieve a gun after knowing the consequences of the attack, it still proves that in the end, in their hearts, they believe that what they did was the correct thing to do even if it was in a flash disobeying the samurais code of honor.                  Finally, the theme of lever plays a big deal in the Japanese socialisation and in the novel and film. During the novel, Horab, who is Oishi plunk for hand man, disrespects Oishi because he thinks that Oishi has become inattentive and drinks too much. As a samurai, one should not drink too much, but Horab has done worst, he has disobeyed his master and Oishi by taking matters into his own hands. Horabs character is very eager to fight, and is about always deferent to his masters but his rage had clouded his vox populi and has blurred his passel from the big picture. Instead of waiting for Oishis to make the call for the attack, Horab decides to call a meeting and claim leader of the 47 samurais. as luck would have it for Horab, Oishi shows up and tells them the bountiful story and why he acted like a drunk. O! n page 148, Horab comes barging in and says, So it is on-key¦your nothing more than a drunk. You actions part me and the others no plectron but to go on with the plan without you and be forward Oishi could reply, he left. This shows how Horab was quick to judge his long time friend and leader. non wholly did he not leave his master a chance to prove him self, but in like manner went against him by claiming leader of the other samurais. In Japanese culture it is very wrong to disobey your leader. Fortunately for Horab, Oishi was well aware of where Horab was coming from and received his apology after he told the full story. Coincidently, the film has a similar ordeal. As the seven samurais acquire in the village, they are not greeted by any of the farmers. At first, the seven samurais are very mad considering they are the ones who will be combat for them. The reason why the farmers dont show their faces is because they are afraid of them. In order to get them to show thei r faces, the merry relief character, which is also the foolish character in the former example, decides to sound the noise, which is use to sign of the zodiacal the farmers that bandits are coming. As he does this, the farmers come fill up out of their huts frantic. Once the farmers realized that it was a false get down they get a little mad. The foolish character however, begins to keep down stop consonants as to why he did what he did. He says How is it that without any bandits, we receive no sign of respect, whereas at a time you hear bandits are coming, you all flea to us as if we were gods? This example clearly shows how the farmers show disrespect towards to samurais by not address their guest with regimen and tea. Later on in the movie, we see that the farmers begin to serve their finest food to the samurais after they encounter three of the bandits. Both of these examples show how important respect is in the Japanese culture, and that one should always show a si gn of respect whether its thinking that your leader a! nd friend has become a drunk, or by greeting your guest with tea and food instead of hiding away like cowards and there fore masking a sign of disrespect.         In the way of the samurai, it is prerequisite to never die without honor, be true and loyal to your master, and to have courage in battle. All of these societal values of the samurai have been gone(a) against by the main characters in both the novel and film. The vertex to recognize here is that the main characters went against their beliefs/ societal values only because the believed that their action was justly caused. In the novel, the main characters go against their beliefs as a samurai only to preserve the most important value as a samurai which is the always be loyal to their master. withal in the film, the main characters chose to help out needy farmers in their time of need despite their values because they believed that it was the right thing to do. In the end, all the characters in both the n ovel and film have chosen to go against their beliefs in one way or another, but more specifically they did their actions only in their hearts it was the right thing and the only thing to have done. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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