Essay on Male Prejudices in Susan Glaspells Trifles :: Trifles Essays

Male Prejudices in Trifles      Susan Glaspells Trifles explores male-female relationships through the murder investigation of the feature of Mr. Wright. The play takes place in Wrights pastoral farmhouse as the workforce of the play, the county attorney, the sheriff, and Mr. Hale, try for evidence as to the identity and, most importantly, the motive of the murderer. However, the clues which would lead them to such are never found by the men. Instead it is their female counterparts who fracture the evidence engageed, and who are able to do so because of their gender.   The male investigators need to find, as Mrs. Peters puts it, a motive something to show anger, or--sudden feeling (357). Yet the men never turn over the uneven sewing on a ease Minnie Wright was working on before the murder. The quilt is a symbol of Minnies agitation--her anger. The men, though, laugh at the womens wonderings some the quilt. To them it is of little importance.   Like wise, the bird and its cage are easily dismissed. In fact, the men just as easily believe a lie about(predicate) this bird and cage. When the cage is noniced, its broken door overlooked, the county attorney asks, Has the bird flown? Mrs. Peters replies that the cat got it (360). on that point is actually no such cat, but the men do not know that and never question the existence of it. The bird, however, is vital to the case. Mr. Wright killed the bird, Minnies bird, which may brace provoked her to then kill him. In addition, the strangling of Mr. Wright, a grad of murder which perplexes all when a gun was handy, is reminiscent of the strangling of that bird. It is an new(prenominal)(prenominal) answer to the mens questions, but an answer they never find.   The women, on the other hand, take note of all they see. They notice not only the bird, the cage, and the quilt but other things that the men call trifles, like Minnies frozen continue and her request for her apron and s hawl. These women are united, it seems, not only as country wives or as neighbors but on the basic level of womanhood. This is presumable from the start of the play. Mrs. Hale and Mrs. Peters stand close together near the door, emotionally bonded throughout the play and, here, physically, in a way, too.   Mrs.